A construção do conceito de obediência: uma análise histórica e artística (séculos XIII – XIX)

Abstract

From the examination of the concept of obedience in Europe during the 13th to 19th centuries, we intend to highlight that it acquired different forms: first as a representation of a symbol in feudal relations, then it assumed a practically blind form from its elevation to moral virtue and, finally, the secularization of the concept of obedience that occurred in the 19th century, with the birth of the regiments. Due emphasis will also be given to the representations that obedience obtained in religion and politics in paintings and works of art, showing that the perspective - not only over the centuries (and current regimes), but also depending on each artist - is of essential relevance for the full understanding of this topic. This article also analyzes the topic of disobedience, which is accompanied, more deeply, by resistance, seeking to understand in which situations it is acceptable to disobey, as well as the consequences of this act. Using historical, philosophical and artistic data, the aim is to understand the relevance of this concept in the formation of regimental culture.